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漳州车务段启动防洪防台风应急响应_我的网站

A |     AI摘要      第20号台风“简拉维”8月24日登陆泉州，福建强降雨致铁路部门启动应急响应，福州、厦门等地部分列车停运或调整。漳州车务段提升防洪Ⅳ级响应至Ⅲ级，加强巡查与排水，保障旅客安全。         第20号台风“简拉维”于8月24日中午在泉州沿海登陆。受福建地区强降雨影响，铁路部门迅速启动分级响应，全力保障运输安全。    记者从中国铁路南昌局集团有限公司获悉，8月25日起，该局停运福州、厦门、平潭等地间开行的部分旅客列车，调整部分旅客列车运行区段，并在受降雨影响较小的区段加开4趟旅客列车。

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    Chinese actress Luo Xinyuan played Huang Rong, a beloved wuxia heroine, at Hengdian World Studios. Photo: Courtesy of Luo XinyuanAs China's once-thriving live-action short drama industry looses speed due to the weight of AI-generated content and shrinking investment, a growing number of young actors who once starred in micro-dramas are moving to a different kind of stage: playing roles at cultural tourist attractions. 
There, they play martial arts heroes and folk characters for live audiences, finding steadier income and real-time connection with viewers. 
"Earning a living with your own hands is nothing to be ashamed of," actress Luo Xinyuan told the Global Times, even as many still hold out hope, waiting for good scripts.
The migration reflects a stark reality. In the first quarter of 2026, AI micro-dramas accounted for more than 95 percent of all micro-dramas released industry-wide, sharply squeezing the space for live-action productions. 
By July, pay for leading actors had shrunk by over 50 percent, mid-tier actors by more than 80 percent on average, and daily wages for bottom-rung extras had fallen into double digits, China's CCTV reported.
Luo, a 21-year-old actress, experienced the downturn firsthand. She came to Hengdian, China's largest film and television production base, to shoot short dramas. "When I first arrived, there were many crews preparing in one hotel. Now sometimes there are only one or two, or none," she told the Global Times. 
This May, she began playing the role of Huang Rong, a beloved wuxia heroine, at Hengdian World Studios. Her daily routine includes interactive stage competitions, parades and live audience interactions, working nearly 13 hours daily during the peak summer season.
"It's tiring but fulfilling," Luo said. "There are no scripts here. It's more about playing with visitors face to face." The change has eased her anxiety. "When I was filming, I kept worrying about the next job. Now I feel more stable."
Yin Jiaxuan, 25, took a different route. He started his career as a professional character performer at major theme parks, starring in immersive shows based on popular game and film IPs before transitioning to short dramas and online movies in mid-2024. 
At the industry's peak, he moved seamlessly between sets. 
"One crew wrapped, and the next was already arranged. I'd go straight to makeup the next day and start filming the day after," he said. Now he keeps both identities, taking film roles when they come and returning to scenic spots during holidays.
Yin rejects the stigma that screen acting is the only proper path. 
"Screen acting is seen as the professional main road, while street-level performance is treated as amateur work. This invisible prejudice has trapped many performers," he said. Yet the tangible stage offers something the camera cannot. 
"Performance comes from life and is higher than life - that is the core of film creation. But now I realize that beyond artistic expression, performance is about building human connections."
Both actors shared that theme park characters must do more than act; they must draw tourists into the scene, delivering emotional value on demand. Visitors come to the scenic spot not just to sightsee, but "to step into a fantasy."
    Yin Jiaxuan Photo: Courtesy of Yin JiaxuanScenic areas are reaping the benefits. Media outlets have reported that in Kaifeng's Wansui Mountain Martial Arts City, Central China's Henan Province, tourists who interacted with these characters stayed an average of 2.3 hours longer per day. 
Every extra 30 minutes of stay raises the probability of secondary consumption by about 25 percent, according to local data. Revenue jumped from about 80 million yuan ($11.86 million) in 2022 to 1.27 billion yuan in 2025. 
While Hengdian World Studios has used characters to boost repeat visits, with annual pass holders returning multiple times "for a specific character."
Cultural scholar Yu Jinlong told the Global Times that the influx of trained actors is upgrading immersive tourism. 
"In the past, theme park characters were mostly amateurs doing costume photos. Now professional actors can build complete characters, improvise and connect storylines, turning scenic spots into open-air theaters," he said. 
Yu pointed out the uniqueness of China's character boom compared with global immersive entertainment. 
"Unlike Western theme parks that rely heavily on mature imported IPs and standardized performances, China's scenic character culture is rooted in local wuxia (martial hero) history and folk customs, encouraging personalized improvisation. Many local scenic spots create hit immersive projects with small investments, forming a unique online-offline communication loop via social media," Yu said. 
As China's cultural consumption shifts from sightseeing to participation, Yu said the young actors swapping short drama sets for scenic spots may be shaping a new hybrid career for the country's entertainment workforce.
For Luo, the recognition from visitors is a reward in itself. 
"There are tourists who travel from far away just to see my performance. It feels good to be recognized," she said. "Actually, I'm still exploring too. But I think you should do what you love, as long as you have the ability."
。漳州车务段同步启动管内甬广高铁、杭深铁路、兴泉铁路等线路区段防洪防台风Ⅳ级应急响应，并于8月25日10时将部分区段应急响应等级提升至Ⅲ级。

C |     漳州车务段加强与气象、水利、自然资源等部门信息互通，密切跟踪“简拉维”移动路径及风雨量级变化，安排防汛防台风人员24小时值守，加密关键防洪地点巡查，提前清理排水沟渠，消除风险隐患。

D | 在漳州、漳浦、云霄等客运站，工作人员对电子显示屏、自动扶梯、闸机等设备进行拉网式检查，逐项排查站台雨棚、广告牌、玻璃门窗等设施牢固状态，严防大风导致构件松脱；同时在车站大门、地下通道等关键位置码放防洪沙袋，做好防水封堵，进出站通道铺设防滑垫，增派引导人员，备足应急药品，全力保障旅客出行安全和秩序。    铁路部门提醒，未来两天列车开行可能动态调整，旅客可及时关注12306铁路客服平台及车站大屏幕、广播公告，合理安排出行。已购买停运列车车票的旅客，可自列车停运信息公布时起至车票乘车日期后30日（含当日）以内办理退票，免收退票费。（漳州融媒记者 孟庆昊 通讯员 胡寻风）。

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Published on:05:15:41